#i've noticed some new asks >:]

[sheylin66]

How do partygoers blend in?

Good Question!!

Well, here are some small facts about em. It seems they've been improving their game, huh. :]

In rare cases, they DO wear black hoodies to blend in much better at night. But they usually avoid wearing black clothes since it's a very boring color to them. (They'd rather kill with style.. they got standarts too, you know.)

[necrotic-nephilim]

What do you think about the fab five polycule

(Dick x donna x wally x garth x roy)

i'll be SO honest i wish i had like. insightful interesting opinions on them but i've always been a Young Justice kid and sort of. breezed past consuming Fab Five Teen Titans content-

but of what i *do* know, from the few comics i've read with these characters is this is one of the best ships for Dick, honestly. it always deeply annoys me when fanon content breezes past the Titans as if they're just some distant teammates and not some of Dick's closest friends, if not a second family. *especially* the Fab Five. for most, if not all of them, it's the first time getting to actually connect with other teen heroes. so there's something fun about how sort of terrible they are at it, at first. they all care about each other a lot. but they're kind of chucked into the deep figuring out how to work with each other and get along with *very* different personalities, so it's fun to see where the conflict comes.

as a ship, i do really love it. the Titans are a family. like we call a lot of teams found families, but for the Fab Five, that shit is the truest. they depend on each other and trust each other. when Dick and Bruce are on outs and Bruce fires him, he goes to the Titans.

i also enjoy how, to an extent, all of them are outsiders of some kind. Donna is alone in a new world she's never experienced, the same as Garth. Roy is still new and awkward to living the rich life with Oliver. Wally doesn't connect to his parents well. and of course, Dick has lost his parents and only has Bruce, who isn't the most emotionally available. of course they're going to cling to each other, as the first people they can really develop connections too. they're very clingy with each other and i think that's both cute and *fun* to explore like, codependency issues with them. how protective they can be of each other, how they default to trusting each other over their mentors, etc. it's all very interesting for a polycule, especially since for most of them, it's their first real relationship. i'm a big fan of "none of us know what dating looks like bc we've had such strange childhoods so we don't understand the Rules very well. we're all just going to date each other bc why would i date only one of you. do teamups count as dates now." vibes with teenage polycules. and the Fab Five just. have that on lock. they each fulfill a different "niche" in the group. Garth is the softer, more emotional one you can go to if you're upset. Donna is the one for planning bright fun trips and making sure you don't wallow. Roy is protective and can pretend to be suave, but he shows affection through gift giving and grand gestures where words fail him. Wally can cheer any of them up with jokes and distractions. and of course Dick is the logical one who makes sure they all keep their heads on and don't drown in the responsibility.

overall i think it's a really cute ship and i do wish i just. knew more about them to be able to write them/read fic of it because i do love their dynamic. and i'm just a firm believer in the Titans being Dick's family, just as important to him as the Batfam. they're a disaster and for that you gotta love them.

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[clfixationstation]

bruh why do i only get asked out by random men, why can't a sapphic ask me out :')

[meownotgood]

care to share your updated Aki collection? Would love to see the new wall grid especially now that there's more Aki keychains!

To more Aki purchases ahead <33

yes, of course!!!!

pls ignore the messiness in the aki shrine... I am going to be reorganizing everything as soon as I have the time... I'll post some more pics and closeups whenever I do that.... this is temporary setup

[stop-breaking-my-heart-dragonage]

If your HOF/Hawke/Inky couldn't romance their usual partners, who would they choose instead?

Oof, this is a hard one.

Tabris/Alistair, Hawke/Anders, and Lavellan/Cullen are such an integral part of my canon run that I can't imagine them romancing anyone else. Like, it feels wrong to imagine them not ending up with their respective partners.

But, for the sake of discussion, I'll do my best to answer.

Rose is probably the hardest one because she and Alistair, and their romance, are so intertwined with everything that happens in DAO that I feel like she'd remain single if he wasn't an option, y'know? Her other options are Leliana and Zevran, and I can't see her going with either of them.

Leliana's sweet and Rose likes her a lot, but she's a little too into the Chantry. That's something I see Rose having a problem with; she's not exactly shy about telling off the mothers, sisters, and templars, or pointing out how they mistreat elves and mages.

Rose and Zevran are friends but I've never viewed him as an option for her; after everything Rose goes through in her origin, his openly sexual nature is just a major turn off for her. He calls her a sex goddess in their first conversation and that's just not it. They don't even start to become friends until after she tells him to stop looking at her that way and he respects her wishes.

Plus, Leliana and Zevran lack the shared experiences of being a warden, Ostagar, having to deal with the blight from the very beginning. That's something only Rose and Alistair have and that's what separates him from the others as a love interest... so yeah, Rose would be single, me thinks.

As for my Hawke, Ed's gay so if he can't be with Anders, his only other option is Fenris. I've romanced him before and enjoyed it, so I think he and Ed could work out... though again, it's a similar problem I have where Ed's relationship with Anders is so crucial because Anders saved Carver's life in the deep roads... y'know, Ed's brother who he cherishes above all else. Kind of a big deal. A huge factor in bringing them together.

Ed and Fenris always worked better as friends but out of everyone, Ed's the one I could actually imagine with someone else.

Finally, there's my Lavellan... once again, Ash ending up with Cullen is a huge deal for the narrative of DAI. I've talked about this before, but how I play DAI is my Lavellan is actually Surana from DAO. She and Cullen knew each other and maaaaaybe had a thing... but because Duncan didn't show up, she escaped the circle with Jowan. After he died, Ash joined the dalish, changed her name, and ended up at the conclave... where she and Cullen reunited and proceeded to have hardcore ex vibes the entire time they're at Haven.

If they decided that they're never getting back together, I think Ash might've ended up with either Josephine or Solas. She views Sera as more of a little sister and a friend. She likes Blackwall but he's not her type. The Iron Bull romance progression doesn't suit her even though she admires his intelligence and strength, she's just not up for a friends with benefits turned romantic relationship.

Ash always craved knowledge, and when she was in the circle, she knew the game that she needed to play in order to survive and come out on top... her pride and inability to see when she's wrong led to her downfall with Jowan. She needs someone who she can challenge and who challenges her, both without backing down, on a variety of topics; she needs an academic, I guess?? But she also needs someone who isn't afraid to humble her. Cullen, Josephine, and Solas all fit this in different ways.

I'm more inclined to push her toward Josephine though... I don't think she would've handled the Solas break up well at all.

[journey-to-the-attic]

i'm the anon who asked for solphisto I OWE YOU MY LIFE, MY FIRSTBORN, WHATEVER they're so ughh

i'm glad you liked it!! tbh i'm not sure where the inspo came from but they have grown on me like moss on a tree

[linagram]

the difference between current linagram timeline prisoners and posssible future prisoners is so funny to me bc it's like.. a lot of current prisoners were/are driven by anger and they can be really violent and cruel and they just. want to bite everyone and everything.

possible future prisoners, however, ARE JUST REALLY DUMB 😭 like i'm looking at what i have written for their crimes and i'm like. guys. you know that so many of these could've been avoided. like there are definitely still some guys who just want to fight and kill everyone and some crimes are really sad, but most of them are like. okay. get in the clown car. we're going to circus.

[numetaljackdog]

The funniest part of your rebrand is the way you replaced your posts tag

lmao i'm inclined to agree with that. i did just that part as an april fool's bit last year too, with a post saying that i thought haunted was actually a mid song. everything else for this year's thing was like a last-minute thought

[thetimecrystal]

yo mica! did you see the voidz just dropped a song out of nowhere?

no??!! oh my fucking god (positive)

but i ended up checking instagram and finding the announcement from their social media, and it seems to be the b-side to prophecy of the dragon!

[shikai-the-storyteller]

Listened to some JRWl stuff and liked the stories / characters they came up with, so I've been listening to all the older campaigns they did over the past few months and. Man. They sure love using the b word every other sentence (especially against women antagonists) huh.

[inkskinned]

you said you were stuck in a time loop, which was fine. i feel like late-stage capitalism has us all in a time loop, ammiright? you came barging in at 5:33. in the morning. i hadn't even processed the idea of coffee.

but you had this look of utter panic in your eyes. terror like the ocean. you grabbed my cheeks. im in a time loop.

i don't know why in movies the first reaction is to deny it. when someone is panicking like that, it's not appropriate to ask them to calm down. it didn't matter if i believed it, what mattered was that you believed it so much that it was consuming you.

so here we are. i pour you some of the dark roast. "you look like utter and entire hell," i say.

you push your fingers into your eyes. "you always say that."

i try to think of something funny to say that i wouldn't have said on previous time loops, but jokes don't land without the proper timing (lol). "remind me to think -"

"-yeah, of a joke that only works in the future. and before you say anything, i know you're pissed i just stole your punchline." you bolt the coffee, which is wild. it's very hot. you don't seem to notice.

i blow on mine to cool it down. i both am very pissed at you and also i can't see you in this amount of panic without wanting to help. but i'm also not really sure what we are, not since i saw you kiss her like that, no offense. it just was like, kind of rude when you knew i liked you.

and besides. i'm just like, barely a person. i write omegaverse fanfiction. i love the concept of a time loop, but what the fuck am i gonna do? send an alpha in there? i open my mouth.

you point at me. "you're about to ask why me. and then say some disparaging shit about yourself. i'm just a nerd who plays dnd or something. that self-own is slightly different each time." you sigh. "i know you think you can't really help me. i don't know who can help me. i only came to you because you fucking believe me." you check your watch, sigh, and throw your head back. you cover your eyes with one hand. "i've come here on 26 separate revolutions," you say. "you have believed me every time. and yeah, i have no idea how you fit into this but i just -" you sigh again. "i just like fucking talking to someone about it."

"do you need more cof-" i start, but you're already holding the empty cup out. i frown at it. "you're not getting any more until you promise not to bolt this one like an animal."

you laugh a little and sit up, pushing your hair out of your face. "okay, that's new dialogue. but to be fair to you, i'm not usually this rude. i'm still pretty new at all of this." you check your watch again. another sigh. i guess you're cruising for a personal best in the Sigh Olympics.

i almost tell you im not an NPC but i've played enough video games to know i'm very much an NPC. i pour you another cup. "so what happens in the loop?"

"really bad explosion." you mutter into the mug. you put your elbows on the table (rude) and bury your face in your arms like an angsty teenager. one hand floats up while you talk, because evidently you literally can't talk without your hands. "i have to save the day and there's this bomb and i have no bomb training and it keeps moving, you know."

"do i die?"

you peek up from your arms. "yeah. bigtime. you keep trying to run or stay or do anything and you always super die."

"oh."

"to be fair, like, everyone dies in it though.... so you're in good company."

i hate that you make me laugh. i hate that being around you always feels tingly and strange, this electric tension between us. something that is evidently (given how you stuck your tongue down a stranger's throat literally 3 days ago) (well. 3 for me) super one-sided. i take a sip of my coffee and close my eyes.

i die today, i guess. a little spark of panic starts at the top of my hands and starts whipping up my wrists.

"shit," you say. you look at your watch and jump to your feet. "i have to go. if i can come back, i will. i am still trying to figure out when is best to do everything, you know? the order of stuff. maybe morning isn't good for us."

i look up at you and think about how you keep kissing me in the back of my car and in alleyways and in the dark. and i can never fucking get a read on you. and i also think about how incredibly panicked you look. how broken. how long have you been doing this? "i don't want to die," i say.

you glance downwards. "well, you're not really dead, you'll come back in the loop."

"but i will have died." my hands are shaking. i am trying really hard to stay calm.

you push your hands through your hair again. "i really have to go. i will have this discussion with the next version of you, though. it is like, something i am thinking about."

"but i don't get a next version," i say. i don't really have the language for this, because i haven't had 26 tries with you. i only have my memories: you, a week ago. drunk and telling me you loved me in my ear. you, kissing her anyway. you, months ago, throwing up on my birthday, whispering to me i ruin everything i touch, always, over and over. please don't ask. i can't ever fucking have that be you.

i run my finger along the rim of the mug. "i don't want to die in this one."

you seem baffled by this. "i get that but - time will reset, you'll be fine, you won't even remember we talked about this."

"but i know now." i stand up too. "i have to live the rest of this day knowing i could die. knowing i probably am going to."

"you could always die, to be fair."

i feel my hands get out of control. "earlier, you said i always say a different insult about myself. what if you're just going through different parallel universes and those are all just different - but real - versions of myself? what if you're not in a time loop, you're in a fucking universe loop?"

"if it helps, i've wondered this too. also, you're hot in all of them. if that helps."

i point at you. "no flirting. i'm trying to figure out if i die today."

"who's flirting?" you catch my wild hands and give me that long, perfect smile. like we're in this together. "i won't let ya die." you check your watch and sigh again. "well. maybe not this time."

i grit my teeth. you are so not making quips at me while i try to explain the existential dread i'm having. "does the time loop reset if i fucking kill you?"

"honestly i don't know how long it continues after i die, because i just wake up. it could be that the loop goes until the explosion for everyone, and we're all in the loop, or it could be that when i die, the loop restarts. when i die i wake up, is all."

i pull away from you and stalk into the kitchen and start doing all 3 of my dishes. "okay, first, you know i was joking. and secondly, this is exactly my point. you don't know if this is just a parallel universe. maybe in the ones where you died, the explosion happened and nobody reset and it's just you travelling." i have to stop and push the heel of my palm into my eyeball. "... how often have you died?"

i look at you. you look at me. you give me this very sad, halfway smile and a little what can ya do shrug. something in that action seems so old and weary that i want to burst into tears.

"i have to go," you say. "really. for real. there's this family of five i save from getting into a car crash. and i know it's like oh but we're all gonna die in the explosion anyway, what's the point. and..." you shrug again. "it matters to me, is all. at least i saved them for now. at least i saved anything."

you pad over to me and wrap me in a tight hug. you always seem so tall against me. i feel your cheek rest against the top of my head for a moment. for a second, it's just us, and the space is warm, and my heart is a little broken hare.

you leave me there, and i stand in my stupid badly lit kitchen with my stupid mugs. i think about you. i start texting my mom that she needs to get out of the city, but it feels pointless.

i don't know what to do. tomorrow is the same day for you. but i have to prepare to die in my today.

[lxnarphase]

g. satoru who is a massive pervert and constantly whines for you to let him touch you all the time, even when you're both around others. you've lost count of how many times he grabs you and pulls you into his lap, his warm hands slipping under your shirt while sitting next to g. suguru, who's attention is no longer on the tv.

'he doesn't mind,' satoru always comforts you, grinning into the skin of your neck. 'sugu's my best friend, he knows i can't help but touch you, baby.'

best friend or not, that doesn't explain how you always ended up with your legs spread open wide in satoru's lap, your jeans and panties discarded somewhere on the floor as suguru kisses all over your thighs. the two of them talk like you aren't even there, as if you aren't growing wetter as each second passes.

"satoru," suguru purrs, his fingers running up and down your soft lips, parting them open to watch slick slowly drip out of you. "you must be doing something else to her. i've never seen it get wet so quickly." the way he speaks so calmly makes you dizzy. it's unfair, so fucking unfair how calm and collected suguru is when he's inches away from your pussy, those pretty purple eyes focused on it.

"yeah? 's wet?" it's also unfair how riled up it gets satoru, seeing his pretty baby getting shy because his best friend is rubbing his fingers up and down her slick folds. "she's so messy, isn't she? she's the prettiest little pussy," he coos into your ear. that gets a chuckle from suguru, his eyes finally looking at you. "always the one to talk to the pussy and not about it, aren't you, satoru?"

his fingers finally focus on your clit, rubbing little circles into it. both you and satoru look pretty from this angle, suguru notices. the pure need and shyness on your face paired with that manic desperation on satoru's...it's a perfect picture, one he wants saved forever. maybe next time you'll let him take some pictures...after all, he needs a new background for his phone.

"c'mooon, sugu...give her a kiss? c'mon, c'mon, give that cunt a kiss, tell me how sticky 'n' wet she is," satoru fucking begs, acting as if he's the one spread open and dripping. but you second the thought, giving suguru the prettiest little puppy eyes.

"anything for you, princess," he coos softly, leaning down and pressing a little kiss on your clit. it's so light you barely feel it but then he's peppering kisses on it, your wetness starting to get on his lips and making each press of his lips sticker and wetter. "s-sugu-!" before you can even beg for more, his mouth is on you. his tongue is so wet and hot on your cunt, it feels like he was drooling for you.

"does she taste good? how wet is she, suguru, c'mon, tell me, tell me how that pussy tastes, pretty please?"

"mm, satoru, it's almost as if you wanted to be between her legs."

"who wouldn't? she's so pretty, she's squirmin' so cutely, my pretty baby, my needy little mochi, her pussy's always so creamy and warm and messy, god, i miss it right now."

"shit...stop talking like that, you're gettin' me flustered, should i-"

"s-sugu, please, keep going," you so politely ask. it's unbearable how cute you are, it's taking everything in him to keep being nice, to keep treating your cunt nicely. he knows satoru is mean and practically bullies your pretty slit almost every day, but he wants to be the nice one, the one who you go to when your 'toru' is being too mean. yet, you're making it so fucking hard when you look at him with lidded eyes that beg him to be rougher with you...

but he knows he's done for when satoru whispers something in your ear that has your eyes fluttering a bit and gets a pretty little gasp from you. those gorgeous eyes—oh, do you have little tears in them too?—connect with his and he's fucked.

"s-suguuu, please," you coo to him, moving your legs to hook over his shoulders and pull him closer to the apex of your thighs. "i need your mouth on my pussy r-really bad, please don't tease me." you take a pause and squeeze your eyes shut, whining a little as satoru coos for you to keep going. "g-give my...my messy cunt attention, suguru..."

suguru shakily sighs and the next thing you know, his mouth is smushed against your pussy, his tongue hungrily swirling against your clit as his hands grab onto the fat of your thighs. he doesn't know what gojo told you in order to hear you say that, but he's silently thanking him as he messily sucks and slurps at your juicy cunt.

it's so hot, all it takes is a few swipes of his tongue and you're gushing everywhere. suguru lowers his head to dip into your hole and he moans. he missed this, missed the sweet taste of your juices on his tongue as you squirmed and moaned for him, your boyfriend's best friend.

"fuck, i-i can hear how wet she is," comes satoru's pitiful whine, his hand dipping down to swipe at your clit as suguru focused on lapping up everything that dripped out of you. "lemme help, lemme help, wanna help you get her creamy, sugu." the feeling of suguru groaning into your puffy folds has you keening, arching your back against satoru's chest. oh, he's in heaven watching you both. "yeah, you didn't know she could cream, didya? put your fingers in her, sugu, put 'em in that sticky little pussy 'n' angle up."

reluctantly pulling his mouth off you with a wet sound, suguru slips two of his fingers in you. he doesn't miss the cry of his name, but he really doesn't miss the delirious giggle and moan when he angles his fingers up, rubbing against that spongy spot.

"f-fuck, she's dripping..."

"go on, fuck her with your fingers, you know you wanna see her make a mess. make her fucking cream, suguru, get her prepped. maybe t'day she'll let you put it in...oh, based on your face, she just clenched on your fingers, yeah?"

his fingers are still swirling around your clit, his other coming down to press on your abdomen. he can hear you getting wetter, your little whimpers turning to moans as you slur their names desperately. he wants you to lose all thoughts, only able to think about him and suguru...yeah, he wants you all soft and sweet so he and his best friend can try and slip into those warm, slick walls.

"mmn...she's really creaming...god, pretty girl, can you cum for me? i wanna see you cum on my fingers. satoru, move your fingers, the poor thing needs my mouth on her."

"hmmm, suddenly you know what she needs? ehehehe, you're learninggg, suguruuuu!" if you had turned to look at satoru, you'd see the charged look in his eye, blue eyes practically glowing with insanity. his hand grabs a fistful of suguru's hair and pulls his face directly into your cunt, unable to handle any more of this. he wanted to see you cum on suguru's face.

"c'mon, c'mon, kiss it, suguru, make it messy for the both of us. mmh, fuck, listen to you making out with her pussy, s' wet and sticky, isn't it? oohmygod, both of you sound so good, she's gonna cum, sugu, she's gonna cum in your mouth...fuck, i love you both so much, can't wait to see you both fucking each other."

[addelaidesupreme]

I'm watching a video essay about a game ive been interested in playing. The creator of the video, who has crossdressed multiple times, makes a "women arent funny" joke, and i suddenly realize ive never witnessed him acknowledge a woman in an uplifting way before.

I'm on a dating app for lgbt+ people. I've stated multiple times on my profile that i would rather lose an arm than recieve nudes without consent. I will be sent five dick pics for every 2 people i talk to that night.

I'm talking with my dad, who informs me he's been trying his best to learn about trans issues. He says the same things steven crowder brings up when trying to ridicule trans people. I gently but firmly correct my father and get told that ive been fed propaganda.

I'm on instagram, under the comments of a post ridiculing someone for being a misogynyst. Someone's left a comment saying "it must be hard being a woman on the internet" and i respond "it is." I will have every aspect of my appearance scrutinized as a reminder that no matter how well i pass, it will never be enough for someone with bad intentions.

I'm back on that dating app for lgbt+ people. I'm messaged by an attractive looking person, but i can see their partner prominently displayed in all but their main photo, oftentimes striking what im sure they thought was a very intimidating pose. Their bio says "looking for a third for our anniversary." I know that even if I did feel up to it, the gruff partner wouldnt approve of me because i don't pass.

I'm at a job interview for a clothing store. I tell the gracefully-dressed woman interviewing me that ever since i began my transition, i've discovered an interest in fashion, and that this job would allow me to dip my toes into the industry in a safe way. I'm told that i've reduced womanhood to a stereotype, and i can tell by her tone that i lost any chance at the job the minute she realized i was trans.

I'm at the same hospital i got facial feminization surgery in, trying to figure out what's wrong with my bowels. When the person behind the desk gives me a wristband with my patient info on it, i notice a single, lonely, letter M. I ask a nurse in private why it would say that despite me having changed it nearly a year prior. They say they have no clue, and bring in paperwork for me to fill out and have it re-changed again.

I'm living with my mom at the time. I'm new to transitioning, and decide to try my hand at voice training. It feels a bit off, but otherwise im feeling neutral toward the whole thing. I try speaking in this new voice to my mom and she laughs. Now, when people ask if i intend to voice train, i find speaking at all difficult for minutes after.

I didnt have some sort of grand message to convey by this. I just had a thought and then that thought spiralled into whatever the hell this became. Some, okay most, might call it complaining; they are right to do so.

[rhysand-vs-fenrys]

What do you think your specialty area is in terms of fandom knowledge? I'm curious what everyone would say!

Oh god... I don't know...

I kind of generally focused on pure Canon when I was writing fics more often, tracking details.

I guess.... compared to other blogs... I brought up the timelines more?

Like, the best example of that is my fic Velaris. I think after the first 2 parts were up, I sat down and skimmed through ACOTAR (as in the first book, not the whole series) and actually made a full timeline of exact dates when things happened. Initially in relation to one another (assuming "couple" meant two and "few" meant 3 for things like "a couple days passed"), but you'd also get corrector lines like "it had been exactly three months" that helped fix where Maas had just said "several days passed" or other general terms.

I then reverse-engineered a timeline assuming Calanmai was May Day, established a general date (give or take a week) when Amarantha's deal was up, used THAT to reverse-engineer when the shields went up, and dialed the years, days, and months accordingly.

So like, in Part 4 especially, that's not a random number for years and days trapped, that is as exact as it's possible to get.

So, you could call it a specialty in terms of knowledge I had that I didn't notice other blogs featuring. But everyone was well versed in general Canon (I'm using past tense thinking back to when this blog was more active).

[violent138]

Time-warped or travel scenario where Bruce gets launched back into a younger version of himself with all the memories and the first thing he does is goes and gets Dick Grayson right after his parents' death, then pick up Jason, arrange about a million playmates to get Tim out of his house, and once he has those kids happy and taken care of, he goes off to find Cass, helps Steph with her dad, and leaves a very pointed voice-mail for Talia.

Alfred thinks he's more mentally ill than usual for knowing exactly which orphans and as he pointedly reminds Bruce, "children whose parents are still very much alive" he's trying to steal and adopt.

Bruce heatedly replies that they're his kids and that he's going to do everything right this time, rendering Alfred absolutely speechless until Bruce asks if Alfred would be able to make dinner for his new brood of kids.

"Try and remember who you're speaking to Master Bruce, I've thrown dinner parties with less notice"

"Great because I have a list of allergies and some notes on favourite foods."